n. [ OE. tonne, tunne, a tun, AS. tunne a tun, tub, a large vessel; akin to G. & F. tonne a ton, tun, LL. tunna a tun; all perhaps of Celtic origin; cf. Ir. & Gael. tunna a tun. Cf. Tun, Tunnel. ] (Com.) A measure of weight or quantity. Specifically: -- [ 1913 Webster ]
☞ In England, the ton is 2, 240 pounds. In the United States the ton is commonly estimated at 2, 000 pounds, this being sometimes called the short ton, while that of 2, 240 pounds is called the long ton. [ 1913 Webster ]
☞ Ton and tun have the same etymology, and were formerly used interchangeably; but now ton generally designates the weight, and tun the cask. See Tun. [ 1913 Webster ]
obs. pl. of Toe. Chaucer. [ 1913 Webster ]
n. [ Cf. Tunny. ] (Zool.) The common tunny, or horse mackerel. [ 1913 Webster ]
‖n. [ F. See Tone. ] The prevailing fashion or mode; vogue;
If our people of ton are selfish, at any rate they show they are selfish. Thackeray. [ 1913 Webster ]
Bon ton.
n. [ Cf. F. tonalité. ] (Mus.) The principle of key in music; the character which a composition has by virtue of the key in which it is written, or through the family relationship of all its tones and chords to the keynote, or tonic, of the whole. [ 1913 Webster ]
The predominance of the tonic as the link which connects all the tones of a piece, we may, with Fétis, term the principle of tonality. Helmholtz. [ 1913 Webster ]
(Bot.) See Tonka bean. [ 1913 Webster ]
n. [ F. ton, L. tonus a sound, tone, fr. Gr.
[ Harmony divine ] smooths her charming tones. Milton. [ 1913 Webster ]
Tones that with seraph hymns might blend. Keble. [ 1913 Webster ]
Eager his tone, and ardent were his eyes. Dryden. [ 1913 Webster ]
☞ The use of the word tone, both for a sound and for the interval between two sounds or tones, is confusing, but is common -- almost universal. [ 1913 Webster ]
☞ Nearly every musical sound is composite, consisting of several simultaneous tones having different rates of vibration according to fixed laws, which depend upon the nature of the vibrating body and the mode of excitation. The components (of a composite sound) are called partial tones; that one having the lowest rate of vibration is the fundamental tone, and the other partial tones are called harmonics, or overtones. The vibration ratios of the partial tones composing any sound are expressed by all, or by a part, of the numbers in the series 1, 2, 3, 4, 5, etc.; and the quality of any sound (the tone color) is due in part to the presence or absence of overtones as represented in this series, and in part to the greater or less intensity of those present as compared with the fundamental tone and with one another. Resultant tones, combination tones, summation tones, difference tones, Tartini's tones (terms only in part synonymous) are produced by the simultaneous sounding of two or more primary (simple or composite) tones. [ 1913 Webster ]
☞ In this sense, the word is metaphorically applied to character or faculties, intellectual and moral; as, his mind has lost its tone. [ 1913 Webster ]
The strange situation I am in and the melancholy state of public affairs, . . . drag the mind down . . . from a philosophical tone or temper, to the drudgery of private and public business. Bolingbroke. [ 1913 Webster ]
Their tone was dissatisfied, almost menacing. W. C. Bryant. [ 1913 Webster ]
She was dressed in a soft cloth of a gray tone. Sir G. Parker. [ Webster 1913 Suppl. ]
Tone color. (Mus.)
Tone syllable,
v. t.
To tone down.
To tone up,
a. Having (such) a tone; -- chiefly used in composition;
Toned paper,
a. Having no tone; unmusical. [ 1913 Webster ]