v. i. [ L. assonare, assonatum, to respond to. ] To correspond in sound. [ 1913 Webster ]
v. t.
Benedict impersonated his age. Milman.
n. One who impersonates; an actor; a mimic. [ 1913 Webster ]
n. [ L. opsonatio. ] A catering; a buying of provisions. [ Obs. ] Bailey. [ 1913 Webster ]
v. t.
In fable, hymn, or song so personating
Their gods ridiculous. Milton. [ 1913 Webster ]
v. t. [ L. personatus masked, assumed, fictitious, fr. persona a mask. See Person. ]
v. i. To play or assume a character. [ 1913 Webster ]
a. [ L. personatus masked. ] (Bot.) Having the throat of a bilabiate corolla nearly closed by a projection of the base of the lower lip; masked, as in the flower of the snapdragon. [ 1913 Webster ]
n. The act of personating, or conterfeiting the person or character of another; impersonation. [ 1913 Webster ]
n. One who personates. “The personators of these actions.” B. Jonson. [ 1913 Webster ]
n. [ NL. & G. ]
n. [ It., fr. It. & L. sonare to sound. See Sound a noise. ] (Mus.) An extended composition for one or two instruments, consisting usually of three or four movements;
☞ The same general structure prevails in symphonies, instrumental trios, quartets, etc., and even in classical concertos. The sonata form, distinctively, characterizes the quick opening movement, which may have a short, slow introduction; the second, or slow, movement is either in the song or variation form; third comes the playful minuet or the more modern scherzo; then the quick finale in the rondo form. But both form and order are sometimes exceptional. [ 1913 Webster ]
‖n. [ It. ] (Mus.) A short and simple sonata. [ 1913 Webster ]